#hes simultaneously a teenager and an old man

[jadedjuicerider]

[corkinavoid]

DPxDC John Constantine's How To: Ghost Kids (pt.2)

[<- part 1]

"Oh, yeah," John jerks his head up like he just remembered the fact people are supposed to have names at all. He gestures to the kids, pointing to each of them as he introduces, "Daniel, Daniel, and Danielle."

This time, all three kids flip him off simultaneously. Bruce clears his throat, trying to figure out if Constantine is messing with him and, if so, in which parts. Since, so far, everything the man has said sounds like a poor attempt at pulling his leg.

"I don't think they like those," he cautiously says, and the kids whip their heads at him, nodding furiously. Bruce can't help but be just a little enamored with the way they behave.

"Of, sod off, at this point I don't care what they like," John straightens up with a dismissive, albeit weak, wave of his hands, and rubs his face, "They are menaces. Sometimes by accident, but mostly on purpose. Their grandfather thought it would be easier to handle them if they were not teenagers, and while I agreed with his reasoning at the time, I-" he glances at the kids, who all have displeased grimaces of various levels on their faces, "I have been made to reconsider. I swear that ancient bitch is laughing his ass off wherever he is now."

The kids suddenly grin. They are not very friendly, nor polite smiles - if anything, they look a bit nightmarish. An old grandfather's clock in his study makes a very loud ticking noise.

"See?" John whips his head to look at said clock, the expression on his face bordering on insane. His eye twitches.

If Bruce doesn't do anything now, he might become one of the very few people who managed to witness John Constantine, the Laughing Magician, have a meltdown. So he sighs and decides to solve the problems one at a time.

Which means that no matter how alarmed or suspicious he is, his first move would not be to interrogate either the man or the kids.

"You can sleep in one of the guest rooms, I trust you can find it on your own," he tells John, almost softly, as he catches the girl from slipping away from his lap, "Is there anything I need to know about children before you fall unconscious?"

John slumps with relief, so obviously that Bruce almost smiles. Hardships of raising - or, watching, for that matter - kids, he understands.

"Yes," he breathes out with an air of exhilaration and turns to the kids again, pointing to the middle child, "Danny is the original. He is from this dimension and timeline, that is. Dan," he turns his finger to the older boy, "is in the wrong timeline, he's Danny's future evil self redeemed into older bratty brother. Dani," he switches to the girl, "is Danny's clone, made by his arch-nemesis of a godfather. If she starts melting at any point, wake me up immediately. If any of them start floating, sprouting tentacles, speaking to walls in static, or glowing, don't."

Bruce looks down to the kids. So, definitely metas, that would explain the government trying to get them... Or, no, it wouldn't because he is fairly certain no government is going to blatantly ignore the Meta Protection Acts.

"Don't let them raise the dead, and if you give them food, make sure it doesn't have a face. If you find more than three of them, it means one of them has duplicated, don't worry, they will absorb it back later. Absolutely don't let them touch any guns," Constantine is backing down to the door as he speaks, his gaze flickering from the kids to Bruce and back every second. Like he is leaving a ticking bomb in Bruce's lap, and not three children. "Danny is, comparatively, the most responsible one, the other two are up for any dubious trouble they can get to at any moment. Oh, and their memories are wonky because of de-aging, they remember some things but not others, so if they say something particularly disturbing, it's most likely some random piece of knowledge they managed to keep."

Bruce raises an eyebrow. He did get the part about the kids being, well, abnormal in the matters of their origins, but the disjointed set of rules and advices doesn't help as much as Constantine probably thinks it does.

"Allergies, preferences, ages they were before?" He tries to get at least some more info down before John disappears through the door. Actually, maybe he should send someone to handcuff the man to the bed lest he disappears completely.

"None, but don't let them eat cutlery. Danny likes space, Dani has a thing for exploring, and Dan likes violence." The older kid stirs in Bruce's lap and says something in the direction of Constantine. No sound comes out, but the man seems to get what he's trying to say anyway, "Okay, yes, that was rude of me, sorry. Dan likes... exercise," he ends up with, and that placate the boy enough to slump down and cross his arms. John sighs, "They were seventeen, fourteen, and twenty respectively. Now," he snaps his fingers, and suddenly Bruce can hear the girl - Dani - humming a tune under her breath. So, he lifted the silence spell, it seems.

"Good fucking luck," John wishes to Bruce, earnestly, and all but vanishes away.

Bruce sighs and looks down to the kids.

"Are you hungry?" He tries, and all eyes are on him at once, attentive and unblinking.

"Fruitloops," Danny says, and while Bruce is positive that's the name for a cereal, he gets a feeling that's not what the kid meant.

[papasyapperia]

Something I love about Edwin as a character is that he’s simultaneously such a teenager and such an old man all at the same time. Like, he’s a sassy little drama queen with boy problems, like all teenagers. But he also knits on trains and scolds you like he’s your great grandpappy when you do something stupid. It makes him such a fun character and I love it.

[sanguineterrain]

okay i've had this thought brewing for a while and i think you're the only writer who would do it justice!

reader meets jason again post-lazarus pit and he's amazed by how different reader is look-wise. reader was a teenager the last time they saw jason and now as an adult they've gotten a more "adult" body. reader is curvier, fleshier, no longer as lean as they were as a teen and is a bit self conscious about their body. but it drives jason wild to see his old crush all grown up into this mature body, hell he's changed a lot too. but yeah i feel like jason would be so body positive and full of praise 🩷

decided to combine this with a request i got for this prompt: 8) we share the bed because this is what we’ve done since we were kids, regardless of the adult implications now. i so agree with you anon, i think jason would be simultaneously body positive and absolutely FERAL for his old/current crush ;)

jason todd x gn!plus-sized!reader. reader used to work with the bats and is best friends with jayjay. reader is insecure and speaks poorly about their body. jason does NOT like that and desires you carnally! wahoo! suggestive content but no outright smut.

****

You haven't been in Jason's room in five years.

Alfred's kept it pretty much the same. Same books on the shelves, same Gotham Knights sweatshirt Dick gave Jason for his birthday. The curtains are the same shade of maroon, and the left one has a tear from when you played with a batarang. Jason had covered for you and was grounded for a week.

You flip through a dog-eared copy of The Three Musketeers. A few of the pages have underlining in pencil. You trace them with your finger.

The door creaks open. You look up.

Jason freezes in the threshold. His wrist is bandaged and you can see stitches on his forehead. You frown.

"Hey." You set down the book and go to him, offering your shoulder for him to lean on. "You okay?"

Jason sighs, ignoring your shoulder. "Who called you?"

"What d'you mean? We're psychically linked, Jay-Jay. I sensed that there was trouble afoot in Gotham City."

"Uh-huh. That didn't work when you tried to convince the old man I needed a puppy because you psychically divined that it knew me in a previous life."

"You and that Terrier were soulmates and I'll hear nothing of the contrary."

You take Jason's arm, despite his protests that he can make it two feet to the bed. He lays down, trying to hide how his arm twinges in pain. You frown and slip in beside him.

Jason's a lot bigger than he was the last time you shared a bed. Well. You both are. You roll over so you're facing him, squished against his side. You pull your leg up, suddenly self-conscious about everything Jason might be able to see.

Jason is warm. He's warm and big and solid and good God, you've missed him.

Your best friend is also fucking gorgeous and you really want to kiss him, but, uh. Ignoring that. You're very practiced at ignoring the urge to kiss Jason.

"Thanks for comin'."

The light is still on, casting a soft orange glow across Jason's features. He glances at you, lashes casting shadows on his cheeks. You can count all the freckles on his nose, this close.

"I'll always come when you call, Jay," you say. "Well, when Dickie calls. Said you got a concussion."

He turns his head, sighing at the ceiling. "'S not a big deal. Mild concussion. Leslie said I'll be fine in a week, but we all know that's code for two days."

"Yeah, I don't think so. You bats really are birds of a feather."

"How dare you. 'M nothing like those wackos."

"Sure, buddy. Keep lying to yourself. You brought me in all those years ago for a little normalcy."

"My mistake," Jason says.

He gets thwacked with a pillow for that. It fluffs his curls. He grins at you.

You tuck in closer, resting your chin on his shoulder. Jason turns his head so his cheek rests on the top of your head.

"You can have the bed," he says.

"Don't be a silly goose."

"'M gonna go home anyway."

You scoff. "Not like this, you're not."

"Been worse for wear."

You roll your eyes. "How are you gonna ride your bike with a hurt wrist and a concussion, genius?"

"Please, babe. The real question is how will I sneak past Alfred?"

"I'm a babe, now?"

Jason half-smiles. "Always were."

"Liar. Can you imagine me in a Batsuit again? Exactly, you can't. I simply don't have the bod for it."

"Hey." Jason reaches down and gently pinches your thigh. "Why ya doin' that?"

"Doing what?"

"Talkin' bad about yourself. Don't do that. 'Sides, it ain't true."

"Jaybird." You level him with a look. "Be serious. I know you're my best friend and you have to say that, but c'mon. I've seen the hotties you work with. Hell, I've seen Bruce and Dickie."

Jason's face twists in disgust. "Do not call my dad and brother hot."

"Okay, fine. I've seen you."

His brows rise. "What?"

"What, what?"

"Are you... callin' me..."

You snort. "Duh. Have you seen yourself? You've always been cute, Jason. If you didn't have the demeanor of a honey badger, you'd be fending off marriage proposals left and right from the Gotham public. You've always been the prettier one of us, Jay-Jay."

Jason's quiet. You keep going.

"Anyway, neon's never been my color, and it seems like that's a pretty immovable requirement these days. Like, I get Clark's trying to be seen from space but he doesn't get bloated. And the Spandex? Goodness gracious—"

"Y'really see yourself like that?"

Jason's staring at you with a wrinkled brow, mouth set.

"Like what?"

"Like you're not pretty? Like I'm too good for ya?"

You prop your head up on your arm. "You've always been too good for me, Jason Todd."

"That's just not true. And you're fuckin' beautiful, so stop sayin' that shit."

You blink. "Jay, c'mon—"

"No. It's true, so stop. You're the most beautiful person I've ever had the pleasure to know, and if anybody's gettin' proposed to, it's you."

"Jason." Your face is on fire. Why did you open your mouth? "Stop. It's fine. So I'm different; my body's changed and shit. I'm not an athletic vigilante anymore. My thighs have, like, their own zip code. It's my own fault. I didn't keep up the training and whaa—!"

In one fluid motion, Jason's rolled you onto him. Your legs straddle his waist. You catch yourself on his shoulders, then begin to scramble off, burning with embarrassment.

"Sorry, I'm heavy, you're injured—" you babble, picking up your leg.

"Will you quit?" Jason keeps your leg exactly where it is, tenderly stroking your ankle with his thumb. "Actin' like I'm made of whipped cream."

"You're concussed."

"Mildly."

"Stop, Jason. Please. You don't have to do this to-to prove a point. I get it, I won't talk bad about myself."

Bit hypocritical, considering some of the stuff you know for a fact Jason believes about himself.

But this is humiliating, your extremely attractive, crime-fighting best friend pretending that you haven't totally let yourself go all to bolster your ego.

"Nah, I don't think you get it," Jason says conversationally. His hand creeps under your shirt. You squirm. "I really, really don't think you get how fuckin' gone I am for ya."

"Huh?"

"Oh, yeah. Now, that's my fault, never sayin' anything. I was being cowardly. So lemme make it clear for ya, sweetheart."

His hand leaves your ankle and pulls your face to his. And then Jason kisses you.

"You're concussed," you whimper against his mouth. "Jason, you're—"

Jason laughs, low and sweet. He strokes the side of your face. "I could have amnesia and I wouldn't forget the fact that I've been in love with my best friend since I was fourteen."

"Are you sure you don't want me to move? I can—"

"No way. Y'know how long I've wanted you on me? Shit, I sound like a creep, thinking 'bout you like that, but—"

Jason rolls you both onto your sides. He hefts your leg over his, so you're slotted between each other. Then he kisses your neck, mouth hot and desperate. You gasp, belly swooping.

How long have you wanted this? How long did you believe you'd never feel this way about another person after Jason?

"I can promise you," Jason says, breathing hard against your skin. "You're a knockout. You knock me out. And I'll knock out anyone who says otherwise."

You huff and get a little braver, kissing Jason and returning him onto his back. He grins, sharp and hungry. He wants you. There's no doubt.

"I still think you're concussed," you murmur, letting him feel up your shirt. "But lucky for you, I have the utmost sympathy for poor, bedridden bats."

Jason hums, grunting when your teeth scrape his ear. "Oh, I've always known I was the lucky one, having you."

[megumimania]

CRUSH — toji fushiguro

synopsis: toji has a crush on you, too bad he’s awfully shy to make a move.

warnings: toji fushiguro x fem!reader, fluff, toji and reader are both awkward, no curse au, minor mentions of shiu and megumi, toji finally beating the deadbeat dad allegations.

toji fushiguro felt absolutely pathetic right now.

love had never been his strong suit. in fact he was convinced he was going to die alone until he met megumi’s mom. in the brief time they were together toji felt love’s greatest pleasures until she passed, leaving him with his greatest blessing megumi.

megumi was the excuse he used these days when shiu often asked him when he was going to get himself back out there again. it was easy for shiu to say when all he had to do was to turn up his charm and work that smile to get the ladies to fall head over heels for him.

toji however was a bit rusty in that department. rusty was the lighter way of putting it. his flirting skills were essentially made redundant by the time he managed to pull megumi’s mom.

to this day he doesn’t know how he managed to do it, when all he had was shitty dark jokes and a dream. plus he had a cute body that probably really sold it for her.

how he missed her so much at times.

he wasn’t oblivious, he knew he was a fairly attractive man. he saw the way women and men alike would ogle at him, hushed whispers being exchanged as he walked past them. often breaking into giggles like they were giddy teenagers. the attention that he received was nice but he didn’t pay it much mind, especially since it wasn’t the attention he wanted.

you were the pretty face that was bartending at the old bar he frequented at.

after he was stood up on a date, you placed a consolatory drink at his table that you insisted was on the house, no matter how hard he tried to pay. it seemed that you won the battle in the end as he slumped back into his seat in resignation, raising up the glass as a silent thank you.

that small act of kindness stayed with toji for a while. he found himself gravitating towards the bar, just so he could see you. he wasn’t even a drinker with alcohol having little to no effect on him but he bought drinks anyway, hoping he could turn your brief interactions into something more.

god he was losing it.

but this was worth it when you flashed him a smile that made his heart stutter, before turning back to deal with the other patrons at the bar. he watched you make the rounds whilst simultaneously trying to brush off poor pick up lines and flirty advances from tipsy patrons.

toji waited until the end of your shift as per usual watching the last of the patrons leave the bar. the nippy weather making him wish he wore a heavier jacket. looking at the time on his watch, he figured that shiu wouldn’t complain having to babysit megumi for another 20-30 minutes.

you waved bye to your coworkers as you left the bar spotting toji leaning on one of the lampposts waiting for you. it had been a common occurence ever since a creep who couldn't take no for an answer tried to follow you home and luckily toji was there before shit hit the fan.

“thanks for waiting for me.” you tried to cool your nerves and keep your mind off the fact how he good he looked under the pale moonlight. it was hard to not be stuttering mess around toji, his tall imposing stature was one that often pushed others away but it drew you in like a moth to a flame.

“how was work?” a simple question that should encourage the simple response of it was fine or it was alright. however you short circuited, your brain lagging for a few minutes whilst toji split his attention on the road ahead and you, ever so patient.

"it was fine." you spluttered out after a couple of minutes, embarrasment creeping up behind you. god why couldn't you respond like a normal, cool person. you chided yourself quietly, hoping he wouldn't pick up on it.

toji was lucky that it was late at night, with the shadows hiding the ghost of a smile on his face. he adored every single thing about you. the rest of the walk was punctuated with heavy silence, both of you too tired and awkward to engage in deep conversations but you tried where you could.

"so, uh what plans do you have for the weekend?" you asked, trying to sound casual. it was small talk, not invasive you hoped. toji racked through his mind trying to find the most appropriate answer to the question. sure he could say he was busy but what if you wanted to invite him somewhere during the weekend?

he had to seem available but not too available where you’d think he was a jobless bum. you were a couple of minutes away from your apartment where you lived when toji finally replied.

“not much.” he replied trying to maintain a level of nonchalance in his tone. “just work and then takin' my kid to get his flu shot."

toji watched your eyes light up at the mention of his son megumi and for some odd reason it made his heart flutter more than it should've. another awkward silence passed between you both until you felt confident enough to break it.

"so..uh are you free on sunday?" you asked, rumbling around your bags for your keys to get into the apartment and it was also so you could mask the potential disappointment on your face if he declined. it was so embarrassing how he made you feel so giddy inside.

“why?” he smirked knowingly, deepening the scar on his lips even more. “you tryna ask me out or somethin’?” was that too forward? toji does not know where this sudden boost in confidence came from but he rides the waves of it, not wanting to lose the momentum in the moment.

the flustered look on your face says it all, as you feel the heat rise to your cheeks. “well…uh…yes?” you replied with a sheepishness evident in your tone, playing with the straps of your bag to avoid his gaze.

now it’s toji’s turn to reply and hopefully he prays that he doesn’t fuck this up. “i’d love t—” a vibration from his pocket interrupts the moment. he let’s the phone ring out, not bothered by shiu’s incoming meltdown for when he did eventually pick up the phone.

he wasn’t expecting that.

“ignore that…but um yeah i’d love to go out with you.” he rubbed the back of his neck, not knowing how to proceed. usually in his romantic conquests toji was usually the pursuer not the pursued so this shift in dynamic was something new entirely for him.

however he wasn't complaining, for a beautiful woman like you, he would walk the ends if the earth for you if asked. he knows it sounds pathetic but he didn't care, for right now he was the happiest man alive.

toji may have been a novice, an apprentice in love as they say but maybe that inexperience was worth it because after a bunch of bad dates he finally found you.

[urrockstar-xe]

3 teen boys vs 1 pretty girl - j.m x fem!reader

posted feb 10th, 2024 10:24 pm

heres another belated v day post!! :D im working my way up guys look at me go, im running out of valentine themed songs though if you have recs and see this before the 14th pls send them to me!!

summary: John B and Pope have to help out JJ when he's under too much stress over a pretty girl, not proofread, use of Y/n.

masterlist

wordcount: 1.0k

JJ wasn’t one for romantics, never was, never will be. He’s never witnessed real romance outside of TV shows and movies, although now that he has, with his best friend falling in love, JJ still just didn’t quite get it.

Until he met You, of course, because every sweet, enchanting, and cheesy love story has to start with the player meeting the one.

The one that broke down every little wall with a soft smile and pretty eyes. The one who saves everything while simultaneously ruining it all. 

At least in JJ’s eyes. 

“Dude, just admit you like her” Pope’s words went in one ear and out the other as JJ groaned into the old pillow, dramatically falling onto John B’s couch. “I think he did, just not in a comprehensible way” John B chuckled, shoving JJ’s feet off of his lap.

JJ groaned once more before shifting positions and sitting up on the opposite end of JB. “I don’t know what it is, man. She comes in, introduces herself with a pretty little voice, batting her pretty little eyelashes, smiling a pretty little smile on her pretty little face.” JJ’s voice was laced with irritation, his friends just laughed in response. 

“I think JJ thinks Y/n is pretty, Pope.” “No way, really?” Another round of laughter between the two boys made JJ scoff before chuckling a bit as well, he rubbed at his eyes. 

JJ’s laughter ended with a sigh, “She’s makin’ me crazy.” John B smiled at his friend, nudging his shoulder. “They have that effect huh?” JB remarked, sharing a knowing look with Pope before Pope pulled JJ up off the couch.

“What am I gonna do? I mean, I gotta really wow this girl, man I mean, she’s perfect” JJ gushed as he stared back at his friend who merely smiled back and shook his head. “Valentine’s Day is tomorrow, why don’t you go work that out with John B and I’ll continue studying.” Pope proposed the idea as JB stood up, patting JJ on the back before nearly dragging him out of the chateau by the back of his hoodie. 

“C’mon, we’re gonna make sure you get your girl by tomorrow night”

JJ and John B loaded up into the Twinkie, heading straight for the closest convenience store. JB distracted his lovelorn friend with loud music that the two teenage boys happily and obnoxiously sang along to. Once they finally pulled up to the store and went inside, John B led JJ to the aisle filled with red and pink colored cardboard, and heart-shaped candies.

“Dude, I don’t even know what kind of candy she likes,” JJ sighed, both boys scanning the wall of options. “This is gonna be harder than I thought.” John B mumbled. 

“It’s all just one big guessing game-” John B got cut off by the store clerk noticing them. 

“Maybank, I better not catch you stealin’ nothin'.” His gruffy booming voice caught their attention, heads turning towards the sound in sync. “Course not, Mr. Wade!” JJ waved, a small smile on his lips as the clerk shook his head and went back to his initial goal, leaving them alone once more. 

JJ watched as John B grabbed one of the blue baskets and started throwing random candy boxes into it. “What are you doing?” JJ furrowed his eyebrows. “She’s gotta like at least one of these, let’s just buy it all” John B shrugged, handing the basket to JJ who turned his attention towards the box full of small stuffed animals. 

JJ picked up a small cat before looking at the little dog holding a love heart. “Do you think she’s more of a dog person or a cat person?” “Which one do you want her to be?” 

JJ abandoned the cat and threw the dog in the basket, just as John B grabbed a pink bag covered in white hearts and threw it on top of their Valentine's treasures. 

“This should be enough right?” John B asked, earning a slightly concerned look from JJ. 

“Aren’t you supposed to be the professional here? I’m just the student!” JJ followed him to the counter and helped throw everything in front of Mr. Wade. 

“JJ, I don’t think people see either of us and think of the word professional.” and of course, he couldn’t argue with that.

JJ was left to his own devices the rest of the night, John B had a date with Sarah. 

He did his best at setting up the bag of goodies, before deciding it was good enough because nothing would be as perfect as you no matter how much he tried. 

Finally, Wednesday had come and right around the time you made it outside of your school building you were met with the sight of the Twinkie, eyes watching it as you laughed at something one of your friends said. You said your goodbyes before making your way to the old van just as JJ Maybank came out of the driver’s side and leaned on the passenger’s door. 

“Thought you dropped out, JJ.” You smiled at the blond, who happily mirrored you as he approached him. “You know, gotta come back every once in a while, see how the place is holdin’ up without me.” He shrugged, earning a chuckle from you.

JJ cleared his throat, standing up straight. “I wanted to surprise you. Ask you to be my Valentine.” Your smile got softer, that sweet look on your face almost making JJ chicken out but now he was too deep in. 

“So ask me,” you said softly, after a moment of waiting for him to continue. JJ laughed, shaking his head. “Right, yeah, sorry. Will you be my Valentine, pretty lady?” His voice was quieter than you were used to hearing, you couldn’t help but cover your face as you felt heat spread across your cheeks. JJ chuckled at your reaction before leaning forward just enough to remove your hands from your face. 

“Whadya say?” You smiled at him as he held onto your hands, whispering now that you were so close. “I’ll be your Valentine any day of the week, J.” He smiled back, pressing a quick kiss to your cheek before letting go of your hands and opening the passenger door, revealing the very same bag that was currently overflowing. 

“Awh, babe.” You smiled at the sight, picking up the little dog plush. 

“Hope you’re a dog person,” He said, grabbing the bag’s handles so you could get in the van. 

“And that you have a severe sweet tooth.” 

[whoopsies-daisies]

Ok so i noticed that in the last two seasons they really toned down fives unhinged behavior and wild facial expressions and i am not having it. The first two seasons showed an incredible range of intense emotions from five as well as the range of Aidan's acting, which seasond three and four seem to lack. It really feels like they abandoned his character in those seasons too, which many people have pointed out, but it also feels like they abandoned the wild, erratic energy from his character - and we all know that man is off the rails - in favor of making him more attractive. I don't know if anyone else has noticed this, but i just KNOW they were waiting for Aidan Gallagher to turn 18 so they could give him some kind of creepy barely legal sex appeal, and throw him into a romantic relationship with whoever was closest to him. It was very clear in seasons one and two that five was simultaneously a tired old man and a feral teenager. He acted both of his ages and didn't care how people saw him besides his stoic facade. In the past seasons he just feels like a slightly over mature twenty year old and not actually like an old man, because the viewers wouldn't find that as attractive. this is honestly the best explanation i could find or come up with that would describe the major shift in characterization for five. The writers clearly don't care about the characters anymore, and are just relying on shock value and sex appeal to keep their viewers hooked, which is also how we got that weird little five and lila pairing. They could have just made them grow closer as friends and family members but that wouldn't have had as much shock to it as a both characters abandoning things that were previously so dear to them with no explanation other than "they were lonely and near each other".

Let me know your opinions because I'm honestly at a loss, even here I'm not quite sure what I'm talking about. All i know is, the whole show would have been better off without season four.

[th3sungod]

parkner au where harley technically remembers peter, and is very concerned that tony suddenly stopped talking about him one day.

he remembers hearing about tony's insanely smart intern and how he rivals even tony's genius ( harley would beg to differ on principal but tony never says that about anyone ) so he assumes the kid must be special. he absentmindedly assumed the kid was spider-man, and when he asked, tony simply told him 'i can neither confirm nor deny' which basically answer that question.

but, he never got a name for the intern. spider-man. the kid. underoos. spider-boy. spiderling. 'one of the two people fully responsible for every grey hair on his head' -- all names used, but never explicitly stating a name.

and, when after nearly a month and a half of not hearing a thing from Tony about him, he asks. at first he assumes he has no new stories since it's been a hot minute since Tony's even been able to do anything other than sit in bed and recover, but something isn't sitting right with him. he asks where's the intern been, and says as much about not hearing anything, throwing in a joke or two about leaving him on the side of the road, but Tony is silent.

"Who?"

"Uhh- your intern? Spider-man? Don't tell me you're already forgetting in your old age." Harley jokes dryly.

Except, Tony actually has no clue why Harley would think Spider-man interns for him. And, he doesn't seem to remember any instances he'd brought up when trying to jog his memory. He says he remembers Spidey helping for a few different things, but never stayed to chat and never revealed his identity.

So, given that it's not particularly out of the question, he automatically assume an alien has taken over Tony Stark's body and calls Pepper. And Pepper knows nothing. And after a very frantic bout of questioning, he takes the initiative to drive all the way to New York.

He doesn't know The Avengers, he talked to Rhodes and Vision maybe once at Tony's wedding, but something is most obviously wrong so his first thought is to tell them. Get there before whatever took over Tony's body, or is impersonating him, or something doesn't have the time to infiltrate the world's mightiest heroes.

No one knows anything. Happy said he drove him once, but he was in full costume and he doesn't remember the starting address off the top of his head. He feels like he's going crazy. He tells Tony as much.

He tells Tony about the kid from Queens he picked up basically off the side of the road, gave him a new suit, and every single story he can remember Tony told him about Spidey. It's a fucking long shot, but he recounts the Vulture incident and about how he took the suit, so he has to know who's under the mask.

Eventually, Tony tries picking out specifics about the dates Harley mentions, and can't honestly tell him what happened otherwise -- other than things that definitely don't add up.

Harley, now trying to think back to ever since time Tony even mentioned the kid, while simultaneously trying to figure out why the vigilante has been subsequently missing since around the time Tony stopped mentioning him, puts himself to work immediately. He said the kid had an aunt, he doesn't know her name. He went to one of the best STEM schools in New York, but he doesn't know which one. But, there are discrepancies. The AI he knows Tony made the kid is still functioning, though it won't locate since the HUDs been off for nearly a month.

Slowly, Harley finds himself spending every waking hour thinking of Spider-man, one of the world's finest, who simply fell off the face of the earth. And, by the time he finds concrete proof in the form of a picture and a name, Tony finally brings him to a resident wizard to help. There are no files on Peter Parker anywhere, so maybe magic will help?

What they find is a scrawny teenager half dead in an abandoned train station, wearing what's left of a spider-suit underneath dingy clothes. he's balled up, and doesn't hold a lick of peace in sleep.

he despises, then and there, he isn't leaving New York until whatever happened is fixed, and everyone remembers peter again. he doesn't know why any of this happened, but he's gonna damn help as much as he can.

( harley would've definitely heard the news of some teenager being outed as being spidey, but he never got a name. he did see a picture, so any memories of the outing are wiped from his mind. )

[coochiequeens]

There's something satisfying about when an abusive man is called out by other men. Or at least one man.

Rest In Infamy, You Haunted Castle

Why I believe the Neil Gaiman accusations

By GRAHAM LINEHAN JUL 19, 2024

I only met Neil Gaiman once, at an upscale dinner party where Derren Brown had been hired to do magic tricks like in the old-timey days. Between astonishments, Gaiman and I withdrew to a quiet corner where I pretended to be pleased that he was giving me a signed copy of ‘Sandman’. One of the unexpected advantages of being cancelled is telling people who took part in my harassment what I really think about their work, but this was a long time ago, in a galaxy far, far away, so I said the right things and we went back to being bamboozled by Brown’s invisible craft.

To give credit where it’s due, I later read Gaiman’s ‘Coraline’ to my kids which had them simultaneously terrified and hooked, and thanked him for it. Whatever my feelings about his earlier work, he was a real writer, practising his own invisible craft. From the evidence of that book, I thought he was probably a decent person too, an impression that continued until 2022, when we started to get into it over The Issue.

I may have asked why he wasn’t speaking out on behalf of JK Rowling, who was undergoing one of her regular cancellations for refusing to pander to the spoilt brats who loved her books but missed their meaning. A big name like his might have shifted the conversation and given her some much-needed support. He might perhaps have persuaded some of his fans to give the matter another look. This was when I assumed people like him acknowledged biological reality but worried about ‘coming out of the closet’, as it were. It took me years to realise that almost every celebrity mate of mine believed, or was pretending to believe, in the fashionable, American mind-cancer of ’gender’.

But back then, I was still astonished to find that he was a carrier of the virus, the mass delusion that by sheer coincidence, turned up after the arrival of the Internet. Whether it was Bill Bailey or Neil Hannon, Robin Ince or Matt Lucas, Arthur Mathews or Jimmy Mulville, it was always the same story. A sudden cloud of amnesia would form around my celebrity mates, a real peasouper, from which they suddenly could not see why we need female-only spaces, or why unhappy teenage girls will not find a miraculous cure for their woes in a double mastectomy. Far from sharing any of my urgency in the need to stop children from being irreversibly harmed in gender clinics, they instead downplayed, deflected and dismissed. “I never ask you to join in with my animal activism” grumbled Neil Hannon on one of the occasions I begged for his support.

“Couldn’t you pretend women and children are animals?” I thought.

My usual trajectory during these conversations saw me shifting from gobsmacked disbelief to fury and despair. The disloyalty made me angry, but knowing my friends did not care about their own daughters, wives, sisters and mothers was, and continues to be, destabilising in the extreme.

Gaiman went one step further. I can’t find the tweet, so I may be paraphrasing, but he said

"I hope you're kinder if your daughter ever hopes to transition."

I can think of no uglier thing to say to a parent. For girls, ‘transition’ means double mastectomies in their teens, hysterectomies in their mid-twenties, early menopause and a four times greater chance of having a heart attack than males of the same age. To have this decaying goth wish that horror on my daughter was more than I could bear. I wanted to rip his throat out.

Like a pair of grappling cowboys falling off a rooftop, our fight spilled into email. I sent Gaiman this article about the Tavistock. It was clear when he wrote back that he hadn’t absorbed it Like most celebrities in this fight, he appeared to have lost the ability to read.

“As I said before Graham, I hope that you'd be kinder if it was one of your kids who wanted to transition. “

He actually said it again. The piece was right there, detailing exactly what was happening to the children unlucky enough to wander through the Tavistock’s doors, and he chose to repeat that disgusting thing. Why?

That same year, just months before Gaiman was advising me on the value of kindness, a 22-year-old woman (‘Scarlett’ in the podcast) arrived at his Waiheke Island home in New Zealand for a babysitting job. Upon her arrival, she discovered that Gaiman’s wife of the time, Amanda Palmer, had suddenly remembered a sleepover, an appointment the child was apparently eager to attend.

So she and junior drove out of view, leaving the 23 -year-old Scarlett alone with Gaiman for the night. Within a few hours the 61-year-old man, without warning or invitation, appeared fully naked and slipped into the other end of her bath. Scarlett alleges that over the next three weeks, they embarked on a semi-consensual relationship, where Gaiman routinely ignored the boundaries she set. She alleges that he became angry when she would refuse these demands, used a belt to beat her, insisted she call him ‘Master’ and once sexually assaulted her so violently that she lost consciousness.

“… (the sex) was so painful and so violent that I fainted. I passed out, lost consciousness, ringing in the ears, black vision, the pain was celestial, you know, which is a strange word to use, but I couldn't even describe it in language. And when I regained consciousness and I was on the ground, I looked up and he was watching the rehearsals from Scotland of whatever they were filming, I don't fucking know. And he didn't even notice that I was passed out. And you know…there was blood. It was so so, so traumatic, and I asked him to stop. I said it was too much.”

Scarlett is a compelling witness despite, or because of, her contradictions. Certain things paint a picture of consent—she sexted Gaiman, to which he would send careful replies—and she laughs nervously when she talks about the alleged abuse. But when Gaiman’s side of the story is put to her, she turns cold as a knife and shows flashes of fury that she—in her telling—young, inexperienced and dazzled by Palmer and Gaiman’s fame and lifestyle, was used so casually and so brutally.

A few years back, I wrote about becoming a sort of Jessica Fletcher figure on Twitter. ‘Murder, She Wrote” but with paedophiles and predators. “Just as murderers seemed drawn to any location Jessica presented herself, “ I said. “My opining about women's rights and safety on Twitter appeared to attract the kind of men who can't sit still during a spelling bee.”

Among my adversaries was Peter Bright, the Ars Technica writer now doing twelve years for trying to buy two children to abuse. Luckily the children didn’t exist and the parents were actually FBI agents. Our exchange was brief and concerned safeguarding. I’m sure you’re all astonished to discover that he was against it.

Then there was ex-Labour MP Eric Joyce, who argued with me about the safety of mixed-sex loos in schools and was done for possessing the worst kind of child abuse images. More recently, I tangled with ‘Lexi’, who is now serving time for rape.

They all had one thing in common. They couldn’t leave alone those of us who were actively opposing the trans movement's assault on safeguarding, an assault that chimed nicely with their plans for the future. Each was returning to the scene of a crime not yet committed, each picking at a scab on their own character.

In 2018, at the height of #MeToo, Gaiman tweeted “On a day like today it’s worth saying, I believe survivors. Men must not close their eyes and minds to what happens to women in this world. We must fight, alongside them, for them to be believed, at the ballot box, and with art, and by listening, and change this world for the better.”

Well said. I certainly believe the women in ‘Master’. During my Jessica Fletcher period (a period which continues) no-one except Gaiman ever mentioned my kids. I think he knew it would cause me distress, and the second time he said it was just a twisting of the knife. Many of my colleagues in the media joined in with the trashing of my reputation, but Gaiman went that extra mile. I believe this is because he is a sadist. I think he is a man who finds pleasure in the suffering of others, and a man who does not see women and girls as fully human.

This was my final letter to him.

Dear Neil

I notice you’re still pretending you can’t read the Tavistock story. If you ever try and lay that curse on my kids again I will certainly share our exchange. Your privileged beliefs are harming children so to paraphrase Will Smith, keep their names out of your fucking mouth.

Thank you for giving me one last chance to say that JK Rowling will be remembered as a hero and you as a traitor to the kids who loved your books.

Rest in infamy, you haunted castle.

All the best,

Graham.

[eldest-of-katts]

okay because people have shown up in my dms talking smack I'm going to make one blanket statement on the 1000 year loli chilchuck thing.

yes, there has been a problem with young girls being put in suggestive positions in anime with the "uhmmm she's actually a bajillion years old" excuse. yes, other characters don't treat chilchuck like an adult. yes, he is short with big eyes.

However, chilchuck consistently acts like a grown man. he- in both the manga and the anime- straight up just is an adult. He looks like an adult when he is any other race during the swaps in the manga. When the other characters get turned into half-foots they look similar to chilchuck. He is explicitly stated to have more dungeon and general life experience than laios, and he acts like it.

The 1000 year loli trope explicitly functions as an excuse to prey on people who are inexperienced and unable to advocate for themselves. Chilchuck is a parent, is a union organizer, has explicit boundaries that he enforces rigidly, and he is treated as an adult man by everyone who doesn't have a fantasy racism-focused character arc/issue.

I can see how if you haven't read the manga and seen that he has an established life that he later reveals (and haven't paid attention to him in the anime lol) you could get a mistaken impression about him. Marcielle does too in the source material! It's part of her character at the start of her arc that she has issues with longevity!

The thing that irks me a little about this interpretation is that it leans into the child-coded discourse that was prominent a while ago (she's short!!!!! but has boob???? ILLEGAL!!1!) and it does a disservice to the themes of infantilization as a policy maneuver hurting the working class.

I saw chilchuck and his labor advocacy for half-foots both as a metaphor for racism (obvious take ik) and for ageism.

The working gen z as a cohort are being infantilized and pushed out of job markets due to infantilization, similar to half-foots in the show. gen z is being maliciously portrayed as too young to vote, enter office, know themselves, know their rights, and take advantage of their resources. Simultaneously, child labor protections and protections against workplace abuse are being rolled back in the US. In Japan, young people are being worked to the bone for nothing and are becoming disenfranchised as a generation while simultaneously expected to be the labor faction that supports the postwar generations in their old age.

Chilchuck's being treated poorly I saw as a clever commentary on the ways infantilization allows for protections to be stripped away under the guise that "oh it's just a job for teenagers- they don't need more than minimum wage" or "let the kids rescue the economy! they're always complaining about that job market!" while simultaneously stripping away rights under the guise of protection- "We can't have that on the internet! think of the children!" "to protect these young people we must raise the age of medical consent for hormones/reproductive health decisions!"

Kui's work with this series spoke to me on many levels, and specifically, the infantilization issue touched me in a way that few other pieces of media have. The struggle to be taken seriously in a stem field as someone young, as someone female, and as someone who had a high-pitched voice to the point I did years of voice training to be taken seriously, chilchuck's character resonated. I (kinda) understand your instinct to think "SHORT! CHILD! RALLY THE MASSES AND KILL THE PEDOS!!1!" but in this case, it's misdirected- mostly because the author was trying to use this misdirection to prove something to you, the reader.

Kui consistently makes cutting commentary on modern issues, the show's take on food neutrality as its headliner, but also the author's takes on cultural issues and the environment (with a focus on our place in the food web as animals). I feel that reducing chilchuck's very conscious position as a tradesman and an activist discounted due to his apparent age down to "1000 year loli ewwww let's send this random tumblr user suicide bait" just displays a lack of critical analysis of the show and a level of disrespect towards Kui and the work as a whole.

TL:DR- stop sending me kys messages I'm fucking that old man

[mamawasatesttube]

I love mentor Tim and his hero kids. He says there’s anywhere between 6 and 27 of them at all times, he lost count. He’s lying. He knows everything about them. He is their cringe mentor who uses vintage memes and simultaneously the coolest person they know

there's a whole plot here i'm gonna write one day about tim mentoring a little gaggle of idiot teenagers <3 they adore him but he's so cringefail and they're like god how is it that you of all people know everybody in the hero community??? you did NOT just say "weirdchamp" tim youre killing us!!!

but the plot of this is a lil idiot teenager outsider pov thing wherein like. this lil squad of teenagers (all very starstruck by superfam btw. they all still think yknow superfam are kryptonians 24/7 and live at the fortress of solitude etc.) are blown away by the fact that tim, rook, their kind of pathetic scrunkly mentor who they love TIM, knows supernova. whoa. they saw supernova in the hallway and he stopped to say hi to tim!!! whoa!!!!

but then supernova just like. keeps showing up?? seemingly, like, just to hang out with tim? and theyre like oh my god wait you guys are fRIENDS???? TIM HOW????

supernova of course finds this hilarious, laughs his ass off, and says oh yeah man, this guy's been my bestie since we were what. fifteen? and tim snorts and says yeah, about then. and supernova elbows him and says what, you didn't tell them ANYTHING about our days of bothering red tornado? and tim says wryly, i didn't want to give them any more ideas.

and so, hero worship or not, supernova showing up to lounge on tim's desk while tim instructs them in hand to hand, or to chatter over tim's shoulder while tim tinkers with a new gadget, or this or that, etc, becomes kind of normal. he's just always hanging out, when he's not busy with his own hero work or away with other members of the superfam, etc. it's wild! they're all so starry-eyed. he talks to them about how cool tactile telekinesis is (and why is tim rolling his eyes??? supernova is right, it's SO cool!!) or about his favorite episodes of wendy the werewolf stalker (man that's old and like, a classic. he's cultured!!!! whoa...)

but they just see him around a lot, is the point. he's starting to become a constant presence, and they get to see how seamlessly he and tim interact.

and it is then. that the gaggle of teenagers starts to suspect something.

they have a feeling--and tim plays his cards pretty close to his chest, of course, but they have a feeling... that tim. might actually be in love with supernova.

(what follows: local bunch of dumbass teens with hearts of gold try really earnestly to set tim up with his own husband. tim doesn't understand why this is happening. kon thinks it's hilarious.)

[familyagrestefanblog]

I find it... kinda irritating how saying that Hero Gabriel is still a failure of a father even if he's not a bad person is apparently somewhat of a hot take.

It is irrelevant at what extreme end of the moral spectrum Gabriel is - sadistic villain or heroic saint - fact still remains that you wouldn't notice either with Monarque or Hesperia that they are fathers at all, while simultaneously both Adriens are clearly depicted as teenagers who basically have to re-settle themselves into their lives after they were emotionally orphaned in every sense that matters.

It is irrelevant that Alt Gabriel is a hero, not a bad person or that he wasn't outright abusive like our Gabriel, nothing will change the fact that Griffe Noire Adrien's path to healing goes the same route as our Adrien's.

And that is AWAY from his father, not WITH him.

Griffe Noire at the end was roughly were our Adrien started off at the beginning of the show, just this time with a better path ahead Ladynoir wise since they know their identities.

He changed for the better when our Adrien gave him the self-acceptance, understanding and sympathy he didn't receive from Alt Gabriel or anyone else for the matter.

Helped him overcome the grief of loosing their mother and accepting that the self-harming behavior he's acting on (or both of them) is not something she would want for them.

There are 2 reasons why Alt Adrien couldn't get over his mother's death, and that's 1) because unlike our Adrien, Alt Adrien didn't try finding new happiness in friendship, and 2) because he too couldn't count on his remaining parent (Gabriel) which made him feel his mother's loss even worse.

Alt Gabriel could be the greatest hero of all time and he still would be a fucked up father because he was so busy being a saint that he apparently barely was a father. When alt Gabe cries in the sewer one would think he'd bring up his child as one of his main motivations, but no, he doesn't.

Because Hesperia is just as little characterized as a FATHER as Monarque.

That aspect of Gabriel didn't change.

Hesperia didn't even fucking know that his son is Griffe Noire either, how attentive to you think this man IS??

Alt Adrien goes on the same path as our Adrien and that's away from being emotionally dependent on his father - the way a 14 year old should normally ALLOWED TO BE bc thats NATURAL and how it's supposed to be - to make friends, but most importantly he sure as hell went on being emotionally dependend on HIS Maribug the way our Adrien was/is

Especially the last picture is extremely telling (and one would think our Marinette would finally start paying attention bc Griffe Noire's change right in front of her eyes is literally all she would need to help her fully understand HER Chat Noir's behavior and how that came to be. But apparently we can't ever have Marinette pick up on the most obvious stuff about Chat Noir's problems).

Unlike Toxinelle who is waving goodbye while holding Griffe's hand, HE is not acknowledging our dimension anymore even when he's the last one to enter the portal by a good bit, bc he's so fixated on his Maribug as his whole world bc just like our Adrien he's literally emotionally an orphan and needs an anchor like everyone else.

Good chance that Toxinelle thinks they're just normally holding hands and she's merely going in first, but no, he is letting her lead him out. He doesn't care whats behind or ahead of him, he's just seeing her.

Alt Gabriel is an awful father and you can tell because Alt Adrien literally has to re-settle in life similar to an orphan while his father is still alive and living in the same damn house!

THAT'S what decides if Alt Gabriel is an awful father, NOT him running around as a charming hero. The quality of parenthood is NOT measured by how "good of a person" the parent is, it's measured by the child's fucking well-being

And I don't know if you noticed it by now, but this is the same logic as our Gabriel being hailed a hero after his death. The special already elaborates on this new angle of Gabriel suddenly being a "hero" while he very clearly was a monstrous failure of a father (and person).

So what side are YOU gonna be on here?

Are you going to victim blame Adrien by just declaring Gabriel Agreste a great, blameless and loving father now because that's what you're being told at face-value while the narrative conveniently plays the case in Gabriel's favors by removing all of them from the dimension they are actually from so his faults are being mostly covered up, and Adrien's looks worse without its proper context of their home-dimension and father-son dynamic

Or are you going to fucking LOOK at the child this amazing hero is emotionally abandoning on a daily in way too many ways and ask yourself if that's the result of a competent and attentive parent?

[ruoshik0]

Tim Wayne and Timothy Drake

Do not let yourself get fooled. Because while Tim Wayne and Timothy Drake are one and the same, they are also not. There are tell tale signs of which one you are facing and if you don’t know the difference- depending on who is in front if you- you will get… surprised, at the minimum. At the maximum, you will either lose all of your family fortune and go bankrupt after an indefinate amount of time or your hubris will be shreded in the politest and simultaneously the most vicious way possible.

This is also not the case of DID, otherwise known as Dissociative idendity disorder. Tim and Timothy are both one and the same, no gaps in memory, just masks for different occasions.

Specifically differant masks for the Drake name and the Wayne name.

Tim discovered- not early, but somewhere along the line- that at their core, the Waynes value family over business- mostly. Moral codes and emotional intelligence are huge obstacles but in the end, everyone comes around. Every once in a while there’s this rare moment that everyone is in peace with one another. Tim likes it. Happy family. The Tim Wayne mask was created to fit in with everyone, less of a soldier for The Mission and more of a teenager with specific intrests.

Tim Wayne is a dork, a nerd. Dungeons and Dragons, anime and manga. Caffiene is his life (mostly) and power naps all over strange places are fun!

He is also a pretty one. Wolf cut framing his face nicely, dark circles contributing to his looks than not. Pale blue eyes and the mischief barely hidden.

His fashion choices on the other hand? Mess. A very fashionable mess with unholy amounts of chains as accesories. Black converse? Check. Mostly black clothing? Check? Practical and easy to move in? Check and check. Casual skater drip bordering vampire-esque aesthetic and emo vibes? It’s because of the amount of black and red he wears. And then the accesories. Oh GOD the accesories.

Rings? So many checks there. The double rings with chains connecting them? Yeah, looks so beautiful on him too. The multiple (two (2)) claw rings on left hand. It just makes him seem cooler than he actuslly is. The ones with crystals? Unique designs? What about the rest of his body? The chains on his pants? The chains around his neck? The CHAINS connecting some of his pockets?

All that with his skateboard. HOW IS HE NOT DIED YET?!

Then there’s Timothy Drake. A highly respected, skilled beyond belief, and a professional high society socialite. Purposefully styled hair that borders a little messy. It looks amicable. No dark circles- a clear skin that makes even women jealous, probably.

A cold pair of eyes and a barely smile, more a smirk plastered on his face. There’s no sign of weakness in this young man. He get what he wanted with barely effort. Just steer the conversation naturrally, let them think they’re in control. Sinking his little Drake sharpened claws on anyone stupid enough to show weskness. While he is not as good as Cassandra Wayne, his body language reading skills are nothing to laugh at.

Timothy Drake is confident, he doesn’t overshare. Every move, every word he says is planned. There’s not an ounce of failure in his blood, for he has many contingency plans to get what he wants. The dominoes that are carefully being placed- preparations.

Timothy Drake doesn’t DO emotions. Because, to be a Drake, one must value Business over anything else. And that’s setting aside every other Drake family rules.

His old money style directly contridicts his skater boy style. Because The Waynes and The Drakes are complete opposites. While the bats invade privacy to show care for one another, the dragons don’t even stay long enough to appreciate the company of one another.

And isn’t that funny? Most bats live in colonies, together. And most dragons are solitary creatures. Just the families that are represented by them too.

He wonders if one day, he would be able find a fine line that represents Timothy Jackson Drake-Wayne.

[freakartack]

Hey I just wanna I've been kinda obsessed with your blog for a while now, but never had the courage to make an ask. It's really nice to see such love with something as underrated at Warioware. It really needs more love. Anyways what's your headcanon on the Crygor family? (I personally headcanon Mike being close with Penny, but sometimes they will get into a harmless spat about who's the best singer of the family.) 

Aw, thank you!! That's very sweet of you. i'm honored....I think that Penny is one of the few people on God's green earth that Mike genuinely respects. I think they also chronically get on each other's nerves. The best summation of their relationship in my mind's eye is probably this excerpt from my upcoming (REALLY upcoming, like "not even sketches yet" upcoming) comic called "Mike Has A House Party":

I imagine that due to the asynchrony of Mike's rapid maturation (he came out of the lab a freshly angst-riddled teenager and is now what i would consider a "young adult") and his actual age (Kat & Ana are older than him), they have this kind of silent struggle over who is the "older sibling". (I use "sibling" lightly here because of the unconventional family structure of the Crygors but if I were to liken Mike's relationship with Penny to a family dynamic not created in a lab I would say that he is akin to a step-brother that went to college while the other sibling was in grade school and now exclusively makes shitty music in Garageband.) Mike can be very protective of Penny in kind of an older brother way but also thinks she is kind of a goody two-shoes (and tattletale), whereas Penny kind of sees him as a really annoying baby but also simultaneously looks up to him in a way. Between the two of them, Penny is more likely to humor Mike's insistence of being the Older Sibling, but she will very readily step up to the plate when mike is having Baby Brother Problems. She also enjoys poking fun at his various idiosyncrasies, such as being way too invested in Grease.

Mike does genuinely respect Penny's musicality though, and considers her one of the only people who understands his very very strong feelings about Music. (Much to the dismay of Dr. Crygor, who often tries to connect with his robot through their shared love of song and dance but is tragically branded by him as a Lame Old Man.) Likewise, Penny is elated to have a family member that shares her passion for singing, although unlike Mike she has far more respect for the talents of Grandpa Crygor. That being said, Mike and Penny can certainly butt heads about music too, which is honestly more aggravating to them than dealing with someone they actively dislike. Nevertheless, they will always welcome an opportunity to duet with each other

[bite-scars]

Recently fully contenting with the fact that I have a big brother kink,,

I blame being stuck as the oldest child but with horrible anxiety, autism, and emotional neglect making the idea of being any kind of role model without one for myself Terrifying, combined with being transmasc and having that pretty much dismissed or at the very least constantly undermined literally all throughout my teenage years 💀

I was also just an obsessively horny kid for no discernable reason dhzjhx maybe it was the only clear form of affection from guys I was at all familiar with being romantic/sexually coded and not really knowing how someone was meant to bond with them otherwise idk. Add that to me literally making an imaginary friend that was just a caring older brother at first and you can imagine the progression of that had a hand in this also🧍

I'm just. I think enough Tough Love type kinda loser older brother that's also just super overprotective and will back you/help you through anything while simultaneously insisting you should "man up" fantasies could fix me--

Older brother that on the one hand has a rebellious dgaf overall bad influence reputation to uphold but on the other hand had to deal with the same parents I did and can't help but be protective of his cute little brother seeing him going through the same or similarly shitty situations, doing his best to mitigate the damage when he realizes how much more sensitive I am to it than he was.

Being the only person in the house I'm comfortable going to for anything, always making me feel safe even when trying to get me to push a boundary for my own good (whether it's Actually for my own good or not-). Insisting any and all unhealthy coping mechanisms I've turned to (or he's introduced me to) are done in his presence only, he's just concerned about my safety and doesn't want me doing them alone (again whether true or not I'm too trusting or dependant to notice a difference). Basically singlehandedly supporting my transition, making sure I get any and all hand-me-downs he still has lying around (and there are plenty, his closet is like a museum of old shit at this point, like he's never gotten rid of a thing in his life even though he definitely has. There are still character-print boxers in there that are pretty much my size), going over our parents' heads to talk with my school about it (having to "correct" all that would be too much effort for them anyways, they'll just leave it be at that point) and interacting with our parents in general for me unless it's absolutely necessary for me to be there.

Finding any excuse to brag and show off his adorable little brother to his equally delinquent friends, letting me join in on smoke sessions since he knows I can't go 10 minutes without following him around like a little puppy, always wanting to be in his lap (he tries to act like it's annoying but he thinks it's cute, not to mention convenient), and hey, with how high-strung i am already he decides maybe the weed would do me good anyways. Keeping the less respectful of his friends on a short leash around me, not hesitating to kick anyone out that can't heed a warning (full-stop, better not forget anything on your way out because you ain't gonna get another chance to get it back-). Getting quietly jealous over any of the others I end up getting sort of attached to, but rather than starting actual shit with them he'll just find ways to remind me that he's the most important to me, even if his friend is cool he's always cooler, right?

Idk this general underlying setup is a theme in a lot of my fantasies tbh, there's a lot that can vary between them (sometimes either brother is grosser or more genuine, really just depends on my mood lol) but the dynamic is always some flavor of this and it probably says a lot 💀

[atopvisenyashill]

Hiiiii it’s @martelldragon I ask from my main

BUT, on the Saera/Jaehaerys thing, IM GLAD IM NOT THE ONLY ONE because whenever this conversation about there being SA or at least some weirdness from Jaehaerys towards Saera, a lot of people will brush it off as “you’re being weird, trying to find something sinister where there isn’t anything” when the subtext is there!!! And I also think HOTD sort of replaced Any potential weirdness there was between Ali/Jae when she was reading to him by having her reading to Viserys -> him marrying her -> him maritally r*ping her in the show.

I feel like this sort of acknowledges that there was something not right about Jae and Saera’s relationship but the show sort of gave the Alicent angle years later when Jaehaerys was being taken care of her while dying and any potential creeping on her to her reading to and taking care of Viserys and him being the one to creep/on eventually marry her.

I also think Viserys calling her Aemma in one of the episodes was definitely at least a reference maybe to the old man she took care of in the book mistaking her for Saera.

Anyway seeing you acknowledge the Jaehaerys/Saera relationship instead of ignoring it and acting like everyone who sees something odd there is “reading too much into it” is just so refreshing and sorry if this doesn’t make sense I kind of started rambling lmao

Oh yeah I feel like I get at least one anon every few weeks since I posted it that is just like "you're reading too much into this" without any explanation and it's like...okay well I disagree lmao. I think especially the people who are like "you think Saera is a girlboss but she's actually a psycho" like...WHOMST is "you" in this situation because it's not me! I think Saera was an intelligent, bright young girl who lived a simultaneously spoiled and lonely youth. I think her worst inclinations were often "rewarded" in the very typical "child can't get attention so they settle for negative attention by acting out" type behavior, which made her behavior worse. I think she exhibits some rather disturbing sexual proclivities and children generally don't land on those types of behaviors on their own; they mimic the behavior, good or bad, that they see. Regardless of what happened, I think it's very clear that Saera is mimicking sexually abusive behavior because she has either witnessed or experienced first hand sexual abuse happening. Now who is the likeliest culprit for that hmmm...

I do think the Joffrey comparisons or even the Rhaenyra comparisons crack me up the most though. Like...oh so you think these three children who really obviously experienced/witnessed sexual abuse and proceeded to act out and enact that sexual violence on others are all very similar little psychopaths? Wow tell me more!

But re: the Alicent of it all. I would agree, i think they combine her relationships with Viserys and Jaehaerys in the show, as well as combining her character with Aemma's (and clearly taking inspiration from Dany and Sansa as characters as well). Viserys is not noted to be decaying to death in the books nor is he particularly old when he dies; in fact, it seems implied he's still fairly young looking and handsome when they marry. Which isn't to say that it's still not tacky at best for him to have an affair with a 17 year old and then marry her when she's 18; it's just like, the show takes away that very gray area that George likes to play with where a teenage girl will marry a handsome, fit 25-35 year old and is maybe not too freaked out by it only to realize there is an ocean of difference between her and that man. Which like, fine, I think they still do a good job of interogating that aspect of F&B and Westerosi culture by delving into with Daemyra ("a girl child you bounced on your knee" is CRAZYYYYY i fucking love that line so fucking much especially because we get that scene where Alys is crying over Daemon and Daemon is a bit playful with her - she for sure judges him for his relationship with Rhaenyra but she also can't help but be fond of him, and I think that really displays the sort of dynamic George is going for with this specific sort of sexual abuse. Not dissimilar imo from like, Sansa remarking on how Tyrion was kind to her and the sort of lasting fondness she has for both him and Sandor - they are doing real damage to those girls but at the same time, the love and fondness is there and it matters to that girl regardless!). I do miss the kind of loving-but-weird beginning to her relationship with Viserys though; aging her down and making Paddy look so old and fucked up makes sense when you're trying to drive home the point to a casual audience that is just. so incredibly monumentally slow on the uptake. But Also imo starting it off this way really cuts a lot of that complexity of how damaging The Institution Of Marriage Is, when Alicent becomes an unwilling victim instead of a hopeful bride.

HOWEVER. The fact that her relationship with him can be airlifted out of the late 100's/early 101 right to the late 110s and onto Viserys sure does speak to how creepy her relationship with Jaehaerys is in canon! Doesn't say anything good about the reasons why she is sent into that man's room to read to him! And if he's calling her not his wife's name, not even his sister's name, but Saera's...hmm is all I'll say!